Seb Emina

Were you always a reader? Any specific books you remember engaging with as a child?

Always. Some children are natural swimmers, but I was a natural reader. I had a particular love for mystery and magic, for incredible worlds beyond our own. Books by authors like C.S. Lewis, J.R.R. Tolkien, Tove Jansson and Alan Garner appealed to me far more than the earthbound japes of, say, the Famous Five. I loved anything with talking animals: Watership Down, The Wind in the Willows, Redwall, Woof.

What took The Happy Reader from an idea to a reality?

It grew out of a conversation between Penguin Classics and Fantastic Man about what would happen if the latter took their way of making magazines and applied it to the former.

The Happy reader is a partnership between Fantastic Man (where you are Deputy Editor) and Penguin. Do you see it as brand content or editorial?

As editor-in-chief I only think of The Happy Reader in editorial terms — my preoccupation is the reader, not the brand. That said, the magazine is set up in such a way that if the reader is happy then the brand is too. It’s devious in that way.

What do you think a magazine format brings to classic works of literature?

Sometimes I describe it as a ‘magazine-shaped book club’. We choose one book which acts as inspiration for each issue, and announce it in advance. There’s a great thrill to be had from reading along with others, and if you read the Book of the Season it magnifies the pleasure of looking through an issue. Then there’s the reverse of your question: what do classic works of literature bring to a magazine format? And the answer is: amazing ideas. Classic literature is an endless goldmine of brilliant topics, glorious turns of phrase and genius visual inspiration. Even if you never read the associated books, you can still very much enjoy their magazinified manifestation.

What have been some of your favourites responses to a book that you’ve published?

It’s hard to choose to be honest. Visually I always linger over Ola Rindal’s dreamy photographs in issue 3 where he went to Corsica on the trail of Dorothy Carrington’s travel classic Granite Island. I adore Matthieu Lavanchy’s still lives of flowers in issue 7, inspired by Virginia Woolf’s novel Mrs. Dalloway. That issue includes a piece of writing that blows my mind, namely Douwe Draaisma’s explanation as to why time speeds up as you get older. The new issue has a darkly witty piece by Deborah Levy about an old neighbour of hers that I’d recommend to anyone. But every issue contains its gems.

Which author – dead or alive – would be your dream contributor for The Happy Reader?

I think Javier Marías would be pretty cool.

What do you look for in a pitch?

Something quite specific, so I can make out a fascinating story that I’m dying to read. Something surprising that excavates an element of the book in a way that makes you go “aha!” and ties it into the wider world.

What are your three favourite books from the past year and why?

The Discovery of France by Graham Robb – An amazing book about the various idiosyncratic peoples who until quite recently inhabited the landmass we know as ‘France’. Full of stories that make you want to turn to the stranger next to you on the train and go, “blimey did you know that…”

The Days of Abandonment by Elena Ferrante – A brilliantly written and stunningly realistic portrayal of a break-up, and the emotional collapse it instigates.

Frankenstein by Mary Shelley – This will be winter’s Book of the Season. So prescient, like a garbled premonition of what the next two hundred years would contain, written, somehow, by an eighteen-year-old.

How do you decide what to read next?

Something belches forth from a fermenting mulch of recommendations, former purchases and current preoccupations.